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October 24, 2011 by admin

View Future | Current | Archived exhibitions.

Kaleidoscope: A Visual Discovery

Opening Saturday 12 November 2011 at 1:30pm

Kaleidoscope is a showcase of work by the art students from Ashburton Aoraki Polytechnic. From traditional drawing, painting and printmaking to contemporary illustration and mixed media, the exhibition presents a kaleidoscopic mix of materials, techniques and concepts.

Kaleidoscope features work from the Diploma in Painting and the Diploma in Arts and Media courses, as well as a selection from the introductory art studies students. With a focus on creative exploration and development, students have responded to set projects as well as pursuing their own artistic interests. The student body at Ashburton is an eclectic mix of ages, backgrounds and interests, which leads to a fertile and supportive creative environment. This exhibition is an exciting chance to see the work of up and coming local artists, and get a glimpse into new directions in the art world.

Exhibition runs from 12-26 November 2011


View Future | Current | Archived exhibitions.

december 10 - february 11

December 2, 2010 by kmitchell

 
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december 2010 - february 2011

To view exhibition archives click HERE


Albrecht Durer & 16th Century German Printmaking

11th December 2010-23rd January 2011

Opening Saturday 11th December 1.30pm

Toured by Te Papa

This year the Ashburton Art Gallery is hosting an extraordinary exhibition toured by Te Papa. “Albrecht Durer & 16th Century German Printmaking”. The exhibition opening in Ashburton on Saturday 11th December features some of Durer’s iconic engravings and woodcuts including “Nemesis (the great Fortune)”1502, “Melencolia 1”1514, and “Hercules” 1498. “Melencolia 1” is one of Durer’s most famous engravings. The winged figure of Melencolia represents dejected creative genius. She is depicted weighed down by responsibility – not just by her keys and heavy purse, but by all the unused objects surrounding her. The winged child on the motionless grindstone and the emaciated dog at her feet suggest that time has been standing still.

Melencolia personifies the depressed and brooding spirit of melancholy, traditionally the humour that was seen to afflict artists. The engraving can be seen therefore to read as a spiritual self-portrait of Durer himself. Working in Italy in the first decades of the 16th century, Albrecht Durer (1471-1528), drew his inspiration from the Protestant Reformation to portray the social, cultural and religious upheavals of the time. His images were often based on classical stories and his own interpretation of Biblical texts.

In his woodcuts and engravings Durer was known for his technique of complex combinations of curved lines that swell and taper, use of defined light and shade, and surface texture. His systems of cross-hatched lines convincingly depict shape and form, giving the human body a sculptural quality. The Ashburton Art Gallery is grateful for CNZ Creative Communities funding which has assisting in bringing the exhibition to Ashburton.

Image: Albrecht Dürer (1471-1528), Germany, Melencolia 1, 1514, engraving, Gift of Bishop Monrad, 1869

Marian Maguire

The Labours of Herakles

11th December 2010-20th February 2011

Opening & Artist's Talk Saturday 11th December 1.30pm

Toured by Exhibition Services Ltd

Having arrived via the Endeavour during Maguire's series, The Odyssey of Captain Cook, the ancient Greeks resolve to settle the New Land. In this collection of twelve lithographs and eight etchings, the archetypal hero is cast as New Zealand colonist. His objective: to claim and tame the land. But the process is unsettling.

Maguire's Odyssey of Captain Cook was a play between three cultures: Maori at the moment of contact with Europe; ancient Greece, cited as western civilisation's source; and the Britain of Captain Cook's era, ‘The Age of Enlightenment', a time of renewed interest in Classical thought and style. The West having arrived the next step was to colonise.

"Herakles, or Hercules as the Romans knew him, the embodiment of courage and strength of classical legend, has crossed the seas of time to transform the New World for those who would follow... Whether he is clearing forests and felling trees, battling with Maori warriors, writing letters home from Taranaki, or standing up to be counted at Gallipoli, Herakles appears as well focused on the tasks at hand as he was confronting the 12 Labours requested by King Eurystheus of Tiryns . . . killing the monstrous Nemean Lion, capturing the Cerynian Hind, cleaning the Augean Stables and so on.

Image: Marian Maguire The Labours of Herakles Lithograph, 2007/8 Edition 25 570 x 765mm

Film Society Evening

Wednesday 29th December 5.45pm
Tickets $10 from Regent Cinema

Join us for coffee and discussion at the Ashburton Art Gallery following Four Lions (Regent Cinema)

FOUR LIONS - Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces, Four Lions is a comic tour de force; it shows that-while terrorism is about ideology-it can also be about idiots.

Multi Cultural Bite 2011

Waitangi Weekend Saturday 5th February 2011

11am - 3pm

The Ashburton Art Gallery and Safer Community Council presents "Multi Cultural Bite", an event which celebrates Waitangi Day in the district in a way that is inclusive and engaging for ethnically, culturally and theologically diverse members of our community. Registrations for those wishing to participate in performances or food stalls are now open. Registration forms and information is available from the Ashburton Art Gallery’s reception.

“Multi Cultural Bite” is a non-profit community event which sees the road between the Ashburton Art Gallery and Baring Square East Gardens closed to allow for foot traffic amongst the many food stalls featured. These stalls invite new arrivals to Ashburton to prepare bite-sized portions of food which are representative of their culture. Each stall will feature the participant’s flag and the name of their country of origin to allow the community to see and directly engage with the growing diversity within the Ashburton district population. A stage is installed for performances throughout the afternoon, which last year included an incredible variety of music, dance and fun educational quiz activities. The focus of the event is to bring the community together in celebration of both our uniqueness and diversity as New Zealanders.

The Ashburton District community has become increasingly ethnically diverse. "Multi Cultural Bite" not only provides the opportunity to build a sense of community and identity but celebrates difference and facilitates understanding and sharing. "Multi Cultural Bite" is a unique event in Ashburton in this respect and is also an event which sees a number of organisations within the community come together contributing time, resources, energy and passion. There was significant feedback from last year's event which indicated, without a doubt, that the community wishes to see the event continue to build on this strength. It is therefore without question that the organisations came together following last years event to look at ways to improve and to fund another "Multi Cultural Bite" for our community in 2011.

Located in the heart of the Ashburton Township, the Ashburton Art Gallery, as a community and cultural centre, sees its role as a facilitator of community arts and cultural engagement. The Gallery actively promotes the use of the Gallery as a place and space for the community to come together providing a platform for discussion, sharing of ideas, and celebration of culture, identity, nationhood and the unique attributes of our town and district.

In 2008 “The Ashburton District Social Wellbeing Strategy” was launched, which identifies six key areas of community wellbeing for focus over the next five years, one of the identified areas is new residents. The outcome sought in terms of new residents and new migrants is “our community ensures new residents and new migrants are welcome, safe and secure and become integral and valued members of our community.” It is acknowledged that this strengthening of our community will be achieved by working together. The document identifies “Actions” and “Partners”. The Ashburton Art Gallery is a “Partner” in the following “Action”: “Celebrate diversity through cultural festivals and events — both through new stand-alone events and by including cultural aspects into existing events.”

Dakjongi Dolls

Jenny Kim

29th January - 20th February 2011

Opening & Artist's Talk Saturday 29th January 1.30pm

My family and I immigrated to New Zealand from South Korea approximately five years ago in search of a better lifestyle and a safer environment. As a child I loved cutting out and painting paper dolls. As an adult I enrolled in doll making classes at the Women’s Centre in Sangju, Korea. After one year of tuition I moved to Nelson, New Zealand where I felt very lonely. Through making my dolls I was able to express my feelings of sadness and I often talked to the dolls, sharing my inner-most thoughts which helped me overcome my homesickness.

Making Dakjongi dolls is a complicated process using wire, glue (hand-made from flour & boiled water), and Dak papers. The Dak paper is spread with the glue, I then turn it over, tear it into small pieces, repeat the process and then attach it to the wires and leave it to dry. Each doll takes approximately 3 months to complete. My displays show the dolls involved in traditional Korean activities and games.

Need Gifts for loved ones
The Moon & Farmer McPhee

Signed copies available

$36.99

A heart–warming story — with lots of fun wordplay — about a grumpy farmer whose animals keep him awake at night singing and dancing by the light of the moon. Eventually he is won over by the moon and the animals and learns how to be happy. Classic Margaret Mahy and utterly inspirational illustrations and innovation from Ashburton’s own David Elliot!

Limited edition, framed, Giclee, Farmer McPhee prints available: contact the Gallery on (03) 308 1133 for further information.

 


The Word Witch: The Magical Verse of Margaret Mahy

Honour Award Winner at the New Zealand Post Book Awards 2010!

Signed copies available

$44.95

Finally, Margaret Mahy’s much-loved poems and stories in rhyme have been collected together by her biographer, Tessa Duder, for the first time ever in the wonderful new book, "The Word Witch: The Magical Verse of Margaret Mahy". With each of the 66 pieces accompanied by poignant illustrations by one of New Zealand’s best, David Elliot, and packaged as a beautiful hardcover addition, The Word Witch is set to delight generations of readers who have grown up with Mahy and enchant newcomers to her work for many years to come. Included in The Word Witch are such classics as "Bubble Trouble", "Down the Back of the Chair", and "Dashing Dog", as well as other gems from Mahy’s School Journal days and her own childhood, and some previously unpublished works.

october - december 2010

September 11, 2010 by kmitchell

 
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october - december 2010

To view exhibition archives click HERE


Gilded Frames:Treasures from the Ashburton Museum Pictorial Collection

Curated by Julia Waite

4th September - 4th October 2010
Opening & Curator's Talk Saturday 4th September 1.30pm

Pictorial collections are not exclusive to art galleries. Paintings, drawings and photographs have long found their way into Museum and library collections. Gilded Frames: Treasures from the Ashburton Museum Collection delves into the wealth of pictures in the Ashburton Museum to present a glimpse into the diversity of framed paintings, lithographs and photographs.

Since the 1970s, the then Ashburton Historical Society was particularly active in collecting cultural and historical artefacts which reflected the history of the Ashburton District. Hand coloured photographs of early settler families, framed tapestries, oil paintings of local champion racehorses, and large landscape oil paintings — all in gilded frames are some of the highlights and indicate the diversity of the collection. Julia Waite

Image:Charles Blomfield Kaiuma Bay, Pelorus Sound Oil on board, 1891.

Film Society Evening

Wednesday 29th September 5.45pm
Tickets $10 from Regent Cinema

Join us for coffee and discussion at the Ashburton Art Gallery following The Concert (Regent Cinema)

THE CONCERT - Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians. Now a mere cleaning man at the Bolshoi, he learns by accident that the Châtelet Theater in Paris invites the Bolshoi orchestra to play there. He decides to gather together his former musicians and to perform in Paris in the place of the current Bolshoi orchestra. As a solo violin player to accompany his old Jewish or Gypsy musicians he wants Anne-Marie Jacquet, a young virtuoso. If they all overcome the hardships ahead this very special concert will be a triumph. An uplifting comedy about a true band of misfits.

Ashburton District Schools Exhibition

9th - 31st October 2010

An annual favourite in the Gallery’s programme, this exhibition displays the creative work of the Ashburton District’s youth. Painting, drawing, photography, sculpture and an array of mixed media work all feature in this exciting and colourful exhibition. Don’t miss this showcase of the amazing work being done in our local schools.

Film Society Evening

Wednesday 27th October 5.45pm
Tickets $10 from Regent Cinema

Join us for coffee and discussion at the Ashburton Art Gallery following Eat Pray Love (Regent Cinema)

EAT PRAY LOVE - Liz Gilbert (Roberts) had everything a modern woman is supposed to dream of having - a husband, a house, a successful career - yet like so many others, she found herself lost, confused, and searching for what she really wanted in life. Newly divorced and at a crossroads, Gilbert steps out of her comfort zone, risking everything to change her life, embarking on a journey around the world that becomes a quest for self-discovery. In her travels, she discovers the true pleasure of nourishment by eating in Italy; the power of prayer in India, and, finally and unexpectedly, the inner peace and balance of true love in Bali.

Off the Page

Original Illustrations fron NZ Picture Books

Toured by COCA

6th November - 5th December 2010
Opening September 6th November 1.30pm

Featuring the work of Jenny Cooper, Ruth Paul, Ali Teo, Fraser Williamson & Gavin Bishop. This show is being held to profile the work of leading NZ children’s book illustrators that have formed the Te Tamariki Trust and draws attention to an art form that receives little serious attention in New Zealand from the art world in spite of recognition from overseas.

Jennifer Cooper , one of New Zealand’s best known illustrators, has been illustrating children’s books in Christchurch for the last 18 years. She trained as a graphic designer at Christchurch Polytechnic in 1987 and her first book was published while she was still a student. In recent years she has begun to focus more on illustrations for very young children and , in particular, Pacific Island children. Having lived for three years in Western Samoa, she has continuing ties with the islands, which lend warmth and authenticity to her drawings of these children and their world. Her own grown up children, Kenese and Kalia, maintain ties with their family in Samoa. “I am most interested in people’s faces, and in capturing their emotions and the movement of their bodies. As an illustrator, you are creating a whole world inside a book, and that can be a challenge, getting the details right, and keeping things the same all through the book. Being an illustrator means that I have to keep my eyes open, and be interested in everything, because I never know when I may have to put it in a book, anything from rockets to rats to rubbish dumps and everything in between.”

Image:Jennifer Cooper

The Moon & Farmer McPhee

Illustrations by David Elliot

6th November - 5th December 2010
Opening & Book Launch Saturday 6th November 1.30pm

A heart–warming story — with lots of fun wordplay — about a grumpy farmer whose animals keep him awake at night singing and dancing by the light of the moon. Eventually he is won over by the moon and the animals and learns how to be happy. Classic Margaret Mahy and utterly inspirational illustrations and innovation from Ashburton’s own David Elliot!

With thanks to Random House New Zealand

Image:Cover The Moon & Farmer McPhee

Community Gallery

Painted Journeys

Debbie Lambert

6th November - 5th December 2010
Opening & Artist's Talk Saturday 6th November 1.30pm

Paint, every day forms an integral part of Debbie's life. When Debbie chose a new career direction, away from teaching, and more recently farming, she naturally chose something that involved her passion for colour and paint. Currently HOD Paint at Mitre 10 Mega Ashburton, at least one of her days off each week involves painting, and Debbie is usually found with fellow artist friends out in the countryside somewhere in Mid Canterbury painting. Debbie is a popular tutor of both oils and watercolour painting, has taken students away for “plein air” weekends, holds regular weeknight classes as well as some weekend tutoring, both locally and further afield.

Light nuances, shadows, moody skies, swift flowing rivers, sluggish streams, nature in its purest form, stirs the creative juices. Nature, a symphony of colours and emotions, like a well orchestrated piece, speaks to us on so many different levels. It is Debbie’s ambition, to capture the music of nature and let the viewer absorb the mood and feel the rhythms of the place where she stood, and, to appreciate the uniqueness of the land in which we live.

MUKA Youth Print Exhibition

Young People Buy Art - No Adults Allowed

ONE DAY ONLY

Wednesday 10th November 12 noon - 6pm

A display of original contemporary art exclusively for young people aged 5-18. This event gives young people the opportunity to purchase original lithographs for a fraction of the normal price. It is the intention of the artists that the works will become the exclusive property of the purchaser.

Arts On Tour

Whirimako Black

Saturday 20th November 8pm

Tickets $25 or $20 for Friends of the Gallery

Whirimako Black is one of New Zealand’s most acclaimed and prolific Maori language singers with six solo albums to her credit and further guest appearances on three other albums, all in the last six years. Whirimako Black has built up a loyal jazz, blues and Maori fan base with her distinctive sound, her use of traditional Maori musical forms and te reo Maori make her a unique and powerful voice for New Zealand. Tickets for this ‘must see’ concert can be purchased from Regent Cinema, Ashburton and the Ashburton Art Gallery.

Coming Up in December

Albrecht Durer & 16th Century German Printmaking

11th December 2010-23rd January 2011

Opening Saturday 11th December 1.30pm

Toured by Te Papa

In December this year the Ashburton Art Gallery is hosting an extraordinary exhibition toured by Te Papa. “Albrecht Durer & 16th Century German Printmaking” is being toured by Te Papa to four South Island venues including the Dunedin Public Art Gallery, Eastern Southland Gallery (Gore), the Forrester Gallery (Oamaru), and the Ashburton Art Gallery. The exhibition opening in Ashburton on Saturday 11th December features some of Durer’s iconic engravings and woodcuts including “Nemesis (the great Fortune)”1502, “Melencolia 1”1514, and “Hercules” 1498. “Melencolia 1” is one of Durer’s most famous engravings. The winged figure of Melencolia represents dejected creative genius. She is depicted weighed down by responsibility – not just by her keys and heavy purse, but by all the unused objects surrounding her. The winged child on the motionless grindstone and the emaciated dog at her feet suggest that time has been standing still. Melencolia personifies the depressed and brooding spirit of melancholy, traditionally the humour that was seen to afflict artists. The engraving can be seen therefore to read as a spiritual self-portrait of Durer himself. Working in Italy in the first decades of the 16th century, Albrecht Durer (1471-1528), drew his inspiration from the Protestant Reformation to portray the social, cultural and religious upheavals of the time. His images were often based on classical stories and his own interpretation of Biblical texts. In his woodcuts and engravings Durer was known for his technique of complex combinations of curved lines that swell and taper, use of defined light and shade, and surface texture. His systems of cross-hatched lines convincingly depict shape and form, giving the human body a sculptural quality. The Ashburton Art Gallery is excited to have the opportunity to bring the Durer exhibition to the Ashburton community and although the exhibition will require additional fundraising to host, the Gallery’s committee is adamant that this is a rare and valuable opportunity and one not to be missed.

Coming Up in December

The Labours of Herakles

Marian Maguire

11th December 2010- 20th February 2011

Opening Saturday 11th December 1.30pm

Toured by Exhibition Services Ltd

More information to follow.

Need Gifts for loved ones
The Word Witch: The Magical Verse of Margaret Mahy

Honour Award Winner at the New Zealand Post Book Awards 2010!

$44.95

Finally, Margaret Mahy’s much-loved poems and stories in rhyme have been collected together by her biographer, Tessa Duder, for the first time ever in the wonderful new book, "The Word Witch: The Magical Verse of Margaret Mahy". With each of the 66 pieces accompanied by poignant illustrations by one of New Zealand’s best, David Elliot, and packaged as a beautiful hardcover addition, The Word Witch is set to delight generations of readers who have grown up with Mahy and enchant newcomers to her work for many years to come. Included in The Word Witch are such classics as "Bubble Trouble", "Down the Back of the Chair", and "Dashing Dog", as well as other gems from Mahy’s School Journal days and her own childhood, and some previously unpublished works.

 
 
 
     

august- october 2010

August 9, 2010 by kmitchell

 
logo_alpha_sm.gif

august - october 2010

To view exhibition archives click HERE


Film Society Evening

Wednesday 28th July 5.45pm
Tickets $10 from Regent Cinema

Join us for coffee and discussion at the Ashburton Art Gallery following The Secret in their Eyes (Regent Cinema)

THE SECRET IN THEIR EYES - Benjamin is an honest cop in a corrupt society. With retirement pending, Benjamin sits down to write a memoir, and finds himself immersed again in the case that came to define his career. In 1974, with Argentinian society tearing itself to pieces on the streets, a particularly brutal murder shocked the cynical investigator. But 30 years later, something about the case still rankles, and Benjamin takes another look at the files, at his own personal history, at a love affair that might have been and at the society that shaped him.

Author's Afternoon

Featuring: Ans Westra, Adrienne Jansen, John Perriam, Owen Marshall and David Elliot

Saturday 7th August 1.15 - 4.14pm
Tickets $20 from the Ashburton Art Gallery

Adrienne Jansen

Adrienne Jansen is a novelist, poet, non-fiction writer and teacher. She has worked for many years with immigrants to New Zealand, teaching English and publishing two books documenting immigrant women's experiences.“I have a particular interest in working alongside migrant communities, to ensure that their stories are heard,” she writes.

Commissioned by Asia:NZ, author Adrienne Jansen and renowned documentary photographer Ans Westra traveled to New Zealand to create The Crescent Moon: The Asian Face of Islam in New Zealand. They met, interviewed and photographed an ethnically, culturally and theologically diverse group who were disarmingly honest.

Ans Westra

“The main body of my work consists of documentary photography, the documentation of people in their everyday existence; life in all its facets”. Born in 1936 in Leiden, Holland, it was her stepfather’s camera that sparked Ans’ early interest in photography. In 1953 she moved to Rotterdam and studied at the Industries school voor Meisjes. Ans traveled to New Zealand after graduating in 1957 with a Diploma in Arts and Craft Teaching. A year later, Ans joined the Wellington Camera Club, and worked in various local photographic studies.

Ans received a Certificate of Excellence from the New York World’s Fair The World and its People and has since received several Queen Elizabeth II Arts Council grants for the practice and publication of her work focusing on New Zealand and its society. She was the Pacific regional winner of the Commonwealth Photography Award and traveled to the Philippines, Holland, America and the United Kingdom. She has had several exhibitions and has taught and tutored throughout the world.

John Perriam

Shrek may be the star of Bendigo Station, but the back-story of the station is fascinating, from its earliest days as the scene of New Zealand’s richest gold strike in the 1860s to its establishment as a 11,000 hectare sheep station of New Zealand’s highest quality top price Merino clips. As well as this it has several leading Pinot Noir vineyards, public walkways, a historic reserve and game hunting. None of this recent development would have come about if it weren’t for entrepreneurial and innovative owners, John and Heather Perriam.

Publishers Random House approached Mr Perriam to tell his family’s tale after they featured on the TV show Country Calendar. “It was so easy to write about Shrek but the book is much bigger than that—it’s about Cure Kids, strength from struggle, and stepping outside your comfort zone.” he said. His book royalties will go to charity Cure Kids, which has benefited from more than $150,000 generated by Shrek’s celebrity status since the merino was discovered in 2004 and shorn for the first time.

Owen Marshall

Novelist, short story writer and poet Owen Marshall has written, or edited, twenty four books, most recently a collection of poetry, `Sleepwalking In Antarctica.' His work, has been published and broadcast in various countries overseas. Awards for his fiction include the New Zealand Literary Fund Scholarship in Letters, The American Express Short Story Award, Fellowships at the universities of Canterbury and Otago, and the Katherine Mansfield Memorial Fellowship in Menton, France. He received the ONZM for services to literature in the Queen's New Year Honours, 2000.

His novel `Harlequin Rex' won the Montana New Zealand Book Awards Deutz Medal for Fiction in the same year, and was later translated and published overseas. In 2002 the University of Canterbury awarded him the honorary degree of Doctor of Letters, and in 2005 appointed him an adjunct professor. In 2003 he was the inaugural recipient of the Creative New Zealand Writers' Fellowship (since renamed the Creative New Zealand Michael King Writers' Fellowship). He was President of Honour of the New Zealand Society of Authors 2007/8, and is presently on the Board of the New Zealand Book Council. Marshall has spent almost all his life in South Island towns, and has an affinity with provincial New Zealand.

David Elliot

David discusses his new book due to be released by Random House later in the year The Moon & Farmer McPhee A heart–warming story — with lots of fun wordplay — about a grumpy farmer whose animals keep him awake at night singing and dancing by the light of the moon. Eventually he is won over by the moon and the animals and learns how to be happy. Classic Margaret Mahy and utterly inspirational illustrations and innovation from Ashburton’s own David Elliot!

David Elliot was born and raised in Ashburton before moving to Christchurch to study a Diploma in Visual Arts at the University of Canterbury. After he graduated, David worked as a designer for a couple of years before travelling to Antarctica, through Asia and Europe, and onto Scotland where he became gatekeeper at Edinburgh Zoo. It was during this time that David became increasingly interested in writing and illustrating books for children. David has provided illustrations for numerous New Zealand children's books, including Janet Frame's only book for children, Mona Minim and the Smell of the Sun. He has also written and illustrated five picture books of his own. David’s work is increasingly in demand overseas and he has illustrated books by UK author, Brian Jacques (Redwall series) and US author TA Barron (Great Tree of Avalon series). David currently teaches drawing part-time, as part of a visual arts course in Dunedin. The rest of his week is spent on his own work, in his Port Chalmers studio.

Film Society Evening

Wednesday 25th August 5.45pm
Tickets $10 from Regent Cinema

Join us for coffee and discussion at the Ashburton Art Gallery following The Girl Who Palyed With Fire (Regent Cinema)

THE GIRL WHO PLAYED WITH FIRE - Lisbeth Salander (again played by Noomi Rapace) is a wanted woman. Two Millennium magazine journalists about to expose the truth about the sex trade in Sweden are brutally murdered, and Salander's prints are on the weapon. She returns to Sweden, after a year abroad, with the authorities after her. Meanwhile, Mikael Blomkvist (Michael Nyqvist), editor-in-chief of Millennium, will not believe what he hears on the news. Knowing Salander to be fierce when fearful, he is desperate to get to her before the police, and before she is cornered.

DETOUR

New Work by Sam Foley

4th September - 3rd October 2010

Opening & Artists Talk Saturday 4th September 2010

In early 2010 Foley made a research trip to Ashburton, “The urban landscape is a subject that I have been focusing on now for a number of years and the combination of painting and projection lend itself particularly well to night scenes and street lights — the intersection of West and Moore Street was the first thing that came to mind. It wasn’t until I spent some time in Ashburton that I was drawn to the other aspects of the town, often unique and with character, that have found their way into this body of work.”

Extract from essay by Peter Entwisle “It was said of Monet ‘He was only an eye. But what an eye!’ As a summary of Impressionism this compression leaves out the transition from narrative — every picture tells a story — to observation, which in Monet’s case was focussed on light. Foley is similarly engaged with the processes of seeing and picture-making and how you render complex experience. Visual perception is conditioned by memory and imagination. We don’t just see things; we remember them and have anxieties and expectations about how they will be. This makes seeing fraught. Foley re-creates that and fleshes it out with his ghostly, moving phenomena. Some of this is observation. It represents what actually happened at the site while the artist waited with his camera. Some of it is staged, the interventions being contrived by Foley. All of it registers as completely ordinary, yet disturbing.”

Need Gifts for loved ones
The Word Witch: The Magical Verse of Margaret Mahy

Honour Award Winner at the New Zealand Post Book Awards 2010!

$44.95

Finally, Margaret Mahy’s much-loved poems and stories in rhyme have been collected together by her biographer, Tessa Duder, for the first time ever in the wonderful new book, "The Word Witch: The Magical Verse of Margaret Mahy". With each of the 66 pieces accompanied by poignant illustrations by one of New Zealand’s best, David Elliot, and packaged as a beautiful hardcover addition, The Word Witch is set to delight generations of readers who have grown up with Mahy and enchant newcomers to her work for many years to come. Included in The Word Witch are such classics as "Bubble Trouble", "Down the Back of the Chair", and "Dashing Dog", as well as other gems from Mahy’s School Journal days and her own childhood, and some previously unpublished works.

 
 
 
     

june - august 2010

June 9, 2010 by kmitchell

 
logo_alpha_sm.gif

june - august 2010

To view exhibition archives click HERE


Dished Up

An Ashburton Art Gallery Fundraising Exhibition/Event

22nd May - 11th June 2010

Ticketed Auction Evening Friday 11th June 6.30pm

Come and support your local public art gallery by attending one of the Gallery’s renowned auction evenings. Bring a group of friends - tables of eight are available at a discounted price.

Up for grabs artworks by: Peter Cleverley, David Elliot, Michael Armstrong, Sue Simpson, Jo Robetson, Janet de Wagt, Shona Clarkson, Olav Nielsen, Polly Rowe, Pam Burdett, Gaye Morton and more...

Thank you to all the artists and businesses who have contributed. Funds raised from Dished Up assist in supporting the Ashburton Art Gallery’s public programmes enabling us to bring new and exciting exhibitions and associated education and outreach activities to the Ashburton district community. Upcoming exhibitions such as Durer: 16th Century German Etchings and The Labours of Herakles by Marian Maquire, fall outside the Gallery’s current operational budget so thank you for your support in bringing these shows to the Ashburton people.

Film Society Evening

Wednesday 26th May 6pm
Tickets $10 from Regent Cinema

Join us for coffee and discussion at the Ashburton Art Gallery following Mao's Last Dancer (Regent Cinema)

MAO’s LAST DANCER - A drama based on the autobiography by Li Cunxin. At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he fell in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.

 

Ashburton Society of Arts 46th Annual Exhibition

22nd June - 9th July 2010

Opening Monday 21st June 7pm

Tickets available from the Ashburton Art Gallery & Bryce Gallery (Christchurch)

Guest Artists Include: Jules Clarke, Jane Zusters, Brian Strong, Colin McLaren, Pam Burdett, Hans Bauer & more...

"I take my inspiration from the many social events that Hawkes Bay boasts – the people who come to enjoy our art deco, our wine culture, beaches and fabulous weather. I always enjoy a bit of fun – a poke at human nature, a visual pun." Jules Clarke

Film Society Evening

Wednesday 30th June 6pm
Tickets $10 from Regent Cinema

Join us for coffee and discussion at the Ashburton Art Gallery following The Last Station (Regent Cinema)

THE LAST STATION - In 1910, acclaimed Russian novelist Leo Tolstoy, in the later stage of his life, works rather than a writer but as the leader of the Tolstoyan Movement, whose basic tenets are brotherly love and world peace through pacifism, and a denouncement of material wealth and physical love. His chief follower is Vladimir Chertkov, who does whatever he requires to advance the cause. Chertkov hires a young man named Valentin Bulgakov to be Tolstoy's personal secretary in carrying out this work. Once ensconced in the life on the estate where much of the work is taking place, Bulgakov quickly learns that many there take from the movement only what he/she wants/believes.

Also chief amongst the movement's wants is the deeding of all Tolstoy's writings to the people so that after his death it will become public domain. Tolstoy's wife, the Countess Sofya Andreevna Tolstoy, believes that her husband's writings are rightfully hers after he passes, as she wants and believes she deserves the monetary benefits derived from such. This places a strain between those in the movement, especially Chertov and the Tolstoy's daughter Sasha, and the Countess. Bulgatov acts as the mediator between the parties, he who feels he needs to do what is truly in Tolstoy's heart regardless of what Tolstoy may say or do. . . starring Helen Mirren, Christopher Plummer, James McAvoy and Paul Giamatti.

Crescent Moon

The Asian Face of Islam in New Zealand

Photographs Ans Westra

Toured by Exhibition Services Ltd

24th July— 29th August 2010

Opening Saturday 24th July 2010

Artist Ans Westra & Adrienne Jansen Talk: Authors Afternoon Saturday 7th August

The Crescent Moon: the Asian Face of Islam in New Zealand gives a face and a voice to New Zealand’s Muslims of Asian descent, who form the majority of Muslims both in this country and in the world as a whole. In the making of this exhibition renowned photographer Ans Westra and writer Adrienne Jansen travelled through the country, catching up with people in their everyday lives. They met a very diverse group, ethnically, culturally, and theologically. There are lawyers and farmers, computer trainers and butchers, fourth generation New Zealanders and new migrants. They talk with disarming honesty about the media, about 9/11, about identity, about their faith—but mostly they just talk about their lives.

“People ask me a lot of questions. Mostly there’re curious and just want to know. But they do ask questions that give the impression they think I must have some strange beliefs. If you outwardly look like everyone else, people don’t see you as being very strange. Because I dress as a Muslim, people make assumptions. They see me and suddenly everything I do represents Islam. But Muslims don’t always represent Islam, because Muslims aren’t always practising Islam. Islam is one of the simplest faiths to understand, because essentially it is based on believing in one God.” Shaystah Dean

Community Gallery

Coming of Age:New Zealand Film

Robin Arnst

24th July— 23rd August 2010 Opening & Artist Talk Saturday 24th July 2010

“Art making is about making choices. You have to choose one colour over another, one subject over another, one line over another and so on.....it’s all decision making and each time you’re sharpening the way you make decisions. That’s it! Without making choices you don’t have art.” Robin Arnst “Robin Arnst’s painting achieved prominence in the exhibition because it was a memorable work, a work that would move people; it had power beyond the sum of its parts and had a suppressed energy. The composition of limited colour palette, using cold colours sent an environmental message in a very subtle way with words working well and not overriding the liner composition — segments of the painting beautifully represented and well thought out. The work transcends the parts there in — an image I can remember in my mind still which is a sign of a great painting. You impinged on my consciousness with this work.”Quote from judges Robert McDowell and Clark Esplin

Need Gifts for loved ones
The Word Witch: The Magical Verse of Margaret Mahy

Honour Award Winner at the New Zealand Post Book Awards 2010!

$44.95

Finally, Margaret Mahy’s much-loved poems and stories in rhyme have been collected together by her biographer, Tessa Duder, for the first time ever in the wonderful new book, "The Word Witch: The Magical Verse of Margaret Mahy". With each of the 66 pieces accompanied by poignant illustrations by one of New Zealand’s best, David Elliot, and packaged as a beautiful hardcover addition, The Word Witch is set to delight generations of readers who have grown up with Mahy and enchant newcomers to her work for many years to come. Included in The Word Witch are such classics as "Bubble Trouble", "Down the Back of the Chair", and "Dashing Dog", as well as other gems from Mahy’s School Journal days and her own childhood, and some previously unpublished works.

 
 
 
     

april - june 2010

March 11, 2010 by kmitchell

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april-june 2010

To view exhibition archives click HERE


Pacific Curls

Friday 26th March 8pm

Tickets $20, Friends of the Gallery $18, Students/Seniors $15

Available from the Regent Cinema & Ashburton Art Gallery

“We explore the places where we cross over,” says Halliday.

Acclaimed Pacifika group, Pacific Curls tours the country combining fiddle, ukulele, taonga puoro (traditional Maori instruments) and vocals with a range of other instruments including cajons, stomp peddles, kalimba, djembe and percussion. Fresh from an appearance at the Winter Olympics in Canada, the group’s special blend of Celtic, Maori, Pacific and other influences has wowed audiences in Australia, Europe, the United Kingdom and South Korea, as well as New Zealand. The group, featuring world class fiddle player, Sarah Beattie, virtuoso ukulele player Kim Halliday, and stunning vocalist Ora Barlow, say that their unconventional collaboration comes out of a reverence for each other’s cultures.

Film Society Evening

Wednesday 31st March 5.30pmk
Tickets $10 from Regent Cinema

Join us for coffee and discussion at the Ashburton Art Gallery following This Way of Life (Regent Cinema)

A moving and inspiring documentary about one extraordinary family and their life beyond the Ruahine ranges. The head of the family, Peter Karena, is a horse-whisperer, philosopher, hunter and builder, husband and father. Despite seemingly overwhelming challenges, Peter refuses to compromise, and the family turns hardship into a meaningful and satisfying way of life. “What do I do for a living? I live for a living.” Peter Karena

 

Fair Game

Ana Terry & Don Hunter

17th April - 16th May 2010

Opening & Artists Talk Saturday 17th April 1.30pm

Don Hunter and Ana Terry present a humorous take on New Zealand’s wetland hunting culture. This includes an extraordinary chandelier comprised of over 2000 glittering acrylic white bait which, under gallery lighting, projects a shadow resembling a whitebait net onto the gallery wall. Limp bodies of long necked game birds which seem to transform into floppy guns; push along toy ducks with shotgun handles, wall shield hunting trophies and a grid map of large floor tiles inscribed with cartographic signs inspired from the view of an aeroplane window.

“Duck shooting and whitebait harvesting are fiercely territorial and even tribal activities. If you doubt this assessment, you could test this out by trying to set up a new baiting stand on the river or ‘peg down’ an apparently abandoned blind on pegging day. Chances are you’ll discover that spot has been used by the same family for years and they may not appreciate any intrusion.”

“There is an etiquette involved, and a system that works. You can be sure there is a complex hierarchy of status at work and competitive rivalry ranging from affectionate to bitter. But there is also the simple dynamic of people who enjoy doing the same thing getting together and doing it.”

“Their investigations have taken a playful approach rather than a scientific one, not looking for social documentary but taking something on of the irreverent and adventurous spirit of recreational hunting.” Extracts from catalogue by Ali Bramwell

Mad Hatter's Tea Party

Sunday 25th April 1.30pm

Followed by screening of Alice in Wonderland at 3pm at the Regent Cinema

Don’t be late for a very important date! Meet us in Wonderland on Sunday 25th April at 1.30pm for the Mad Hatter’s Tea Party. Featuring Bernard Egan as the Mad Hatter.

Tickets $17 or $15 for Friends of the Gallery

Appropriate attire for Wonderland

Prizes for best costumes

 

Film Society Evening

Wednesday 28th April 5.30pm
Tickets $10 from Regent Cinema

Join us for coffee and discussion at the Ashburton Art Gallery following Boy (Regent Cinema)

The year is 1984, and on the rural East Coast of New Zealand “Thriller” is changing kids’ lives.  Inspired by the Oscar nominated Two Cars, One Night, BOY is the hilarious and heartfelt coming-of-age tale about heroes, magic and Michael Jackson. Eketone-Whitu (8), plays Rocky who spends his days being weird, hanging out with his dead mother at the cemetery and working on controlling his magic powers, the ones that he believes put Mum there. Boy’s other hero, his father, Alamein (Waititi) is the subject of Boy’s fantasies, and he imagines him a deep sea diver, war hero and a close relation of Michael Jackson (he can even dance like him).  In reality he’s ‘in the can for robbery’.

  

Sweet As

Madeleine Child
1st May - 11th June 2010

Opening & Artist's Talk Saturday 1st May 1.30pm

In Sweet As, an installation featuring intensely coloured giant pieces of popcorn, Madeleine Child gained inspiration while buying her children coloured popcorn. Madeleine was “...fascinated by its fleshy gorgeousness, organic fecundity and forbidden fruitiness”. The exhibition is designed to be a sensory experience offering multiple readings from childish delight to the more sickly consideration of calorie counting, globalization, food miles and corn wars – comfort food causing discomfort. Madeleine Child specialises in contemporary ceramic techniques.

Since receiving a ceramics certificate from Otago Polytechnic in Dunedin in 1978, Madeleine has pursued the study of ceramic and glass in New York, Lisbon, and London where she received a Masters from the Royal College of Art and an Advanced Studies 3D degree from Central St Martins College of Art. She has since returned to where she began and has lectured at Otago Polytechnic School of Design since 1997. "Madeleine’s extensive training and travel can be seen technically and conceptually in her work whether reflecting the distinctive colour and vibrancy of Mexican pottery or the playfulness in faux chocolate Easter bunnies. Her work evokes a sense of sentimentality that is, at times, countered with darker intonations."

 

Dished Up

An Ashburton Art Gallery Fundraising Exhibition/Event
22nd May - 11th June 2010

Ticketed Auction Evening Friday 11th June 6.30pm

Tickets: $25, Friends of the Gallery $20, table of eight special $120.

Come and support your local public art gallery by attending one of the Gallery’s renowned auction evenings. Bring a group of friends - tables of eight are available at a discounted price.

Many thanks to the artists who have contributed artworks including: Peter Cleverley, David Elliot, Michael Armstrong, Sue Simpson, Jo Robetson, Janet de Wagt, Shona Clarkson, Olav Nielsen, Liz Abbott, Pam Burdett, Margaret Digby, Rachel Ratten, Gaye Morton and more...

As the Ashburton Public Art Gallery is only partially funded the Gallery Committee works to raise additional funds for its public programmes. The Gallery is grateful for your support which allows us to bring exciting new exhibitions and associated education and outreach activities to the Ashburton community. The Dished Up exhibition will be open for public viewing from the 22nd May - Friday 11th June 2010. Silent bids will be accepted throughout this period. Image: Plate by Olav Nielsen

 

Need Gifts for loved ones
The Word Witch: The Magical Verse of Margaret Mahy

$44.95

Finally, Margaret Mahy’s much-loved poems and stories in rhyme have been collected together by her biographer, Tessa Duder, for the first time ever in the wonderful new book, "The Word Witch: The Magical Verse of Margaret Mahy". With each of the 66 pieces accompanied by poignant illustrations by one of New Zealand’s best, David Elliot, and packaged as a beautiful hardcover addition, The Word Witch is set to delight generations of readers who have grown up with Mahy and enchant newcomers to her work for many years to come. Included in The Word Witch are such classics as "Bubble Trouble", "Down the Back of the Chair", and "Dashing Dog", as well as other gems from Mahy’s School Journal days and her own childhood, and some previously unpublished works.

 
 
 
     

february - april 2010

January 18, 2010 by kmitchell

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february - april 2010

To view exhibition archives click HERE


Italian Journey

Baroque Music Concert

Thursday 4th February 7.30pm

Tickets $25, Friends of the Gallery $23, Students $10

Available from the Ashburton Art Gallery

Take a tour through the world of Early Music, featuring works from the 17th and the 18th centuries by Legrenzi, Caldara, Durante, Carissimi, Sammartini, Vivaldi and Mancini. In association with the School of Music at the University of Canterbury.

Lois Johnston - voice, Wolfgang Kraemer - recorders, Kees Hilhorst -violin, Stephen Larsen - violin, Edith Salzmann - cello, Cheuky Chann - harpsichord, Jonathan Le Cocq - baroque guitar, lute.

Waitangi Weekend at the Ashburton Art Gallery
Multicultural Bite!

Presented by the Ashburton Safer Community Council & the Mid Canterbury New Comers Network
Sunday 7th February 11am - 3pm

Come on down and try fabulous bite sized portions of cultural cuisine while listening to a variety of musical talent!

Baring Square East, Ashburton (in front of the Ashburton Art Gallery). Contact Raewyn Barclay Ph 308 1395 or community@saferashburton.org.nz

Then join us for scones and tea at the Gallery at 2.30pm!

 

Floor Talk: Picturing Poetry

The Word Witch

Sponsored by Te Tai Tamariki

Sunday 7th February 2.30pm

Dr Doreen Darnell & John McKenzie consider David Elliot’s unique visual interpretation of Margaret Mahy’s inimitable world. John McKenzie is Principal Lecturer in Children’s Literature at the University of Canterbury and Dr Doreen Darnell is a lecturer who has edited Talespinner, New Zealand’s only journal of research in children’s literature, for the past 15 years.

Margaret Mahy

Margaret Mahy is a former Children's Librarian at Christchurch City Libraries and is one of the world's best and most famous children's authors. Margaret Mahy was born in Whakatane in 1936, and wrote her first story at the age of seven. After graduating from Auckland University College and Canterbury University College, in 1955, with a BA, Margaret Mahy then attended the New Zealand Library School in Wellington, received her Librarian's diploma, and then went to work for the Petone Public Library. In 1967 she worked for the School Library Service in Christchurch. During this time she had stories published in the New Zealand School Journal. Margaret Mahy's first book to be published was A Lion in the Meadow in 1969.

In 1976 Margaret Mahy was appointed Children's Librarian at Canterbury Public Library. In 1980 she became a fulltime writer and has gone on to win numerous awards for her books including The Carnegie Medal, the Hans Christian Andersen Award and the Prime Minister’s Literacy Award.

“I am seventy three years old, and I wrote my first story when I was seven, so I have been writing for a long time. Every story begins with some sort of an idea — perhaps you have an idea buzzing around in your head already. Good! Ideas are the beginning of every story in the world. A lot of people don’t realize this, but there are lots of happenings in the world around you that you can turn into good stories. Little things! Everyday things!”

Margaret Mahy

 

Need Gifts for loved ones
The Word Witch: The Magical Verse of Margaret Mahy

$44.95

Finally, Margaret Mahy’s much-loved poems and stories in rhyme have been collected together by her biographer, Tessa Duder, for the first time ever in the wonderful new book, "The Word Witch: The Magical Verse of Margaret Mahy". With each of the 66 pieces accompanied by poignant illustrations by one of New Zealand’s best, David Elliot, and packaged as a beautiful hardcover addition, The Word Witch is set to delight generations of readers who have grown up with Mahy and enchant newcomers to her work for many years to come. Included in The Word Witch are such classics as "Bubble Trouble", "Down the Back of the Chair", and "Dashing Dog", as well as other gems from Mahy’s School Journal days and her own childhood, and some previously unpublished works.

Champions: New Zealand Winners
Jessie Casson

Screenings of Documentary

Wednesday 28th January 4pm (45 minutes, free admission)

Wednesday 3rd February 4pm (45 minutes, free admission)

In Champions Jessie Casson celebrates many of New Zealand’s winners and local heroes with marvellous photographs. From an award-winning jam-maker to a rodeo cowboy and a ‘universe’-straddling drag queen, more than 40 individuals from the length and breadth of the country are brought together in a loving tribute to the unsung New Zealand achiever. Although rarely publicised outside of their home towns, each winner is testament to the passion and determination of the people of New Zealand.

The portraits are the fruit of Jessie Casson’s desire to capture the dedication, self-belief and good old kiwi ‘can-do’ attitude that make New Zealanders who they are.

“When I look at the portraits I feel a warm kinship with every one of them. And from doing the interviews I discovered that everybody has a story, it just needs to be searched for. I have a greater understanding of why people pour so much time and energy into something when the gain is not about money or wealth. I have realised it is about dedication and passion. It is about belief in oneself and a drive to do better and better that becomes integral to who you are as a person. In a world where consumerism and monetary success have a huge role, I now know that there is a lot to be learnt from the individual champion. I hope that my portraits and text do justice to the subjects”. Jessie Casson

 

Jo Robertson
Drawing

13th February - 14th March 2010

Artist's Talk Valentine's Day Sunday 14th February 1.30pm

In Association with BullRush Chocolates and Petrie's Blanc de Blanc
An exert from catalogue essay by James Dignan

“Giant nudes loom, their sinuous bodies writhing from the coils of confused darkness, the large dynamic oils of Jo Robertson. The figures, with their violent energies and semi-repressed emotions and self-interpretations of the inner thoughts and turmoils of this southern artist. Coming originally from the small town and rural hinterlands of Southland and Central Otago, Robertson found her niche on moving to Dunedin at the beginning of the new century. Largely self taught, her artistic skills were sharpened through close contact with her contemporaries in that city’s thriving and communal arts scene. Using mainly oil for her more sizable canvases, Robertson also works in acrylic, and produces many smaller works in pencil, charcoal, and pastel. Many of the artist’s earlier works used text within the picture area as a textural element alongside jagged fields of colour, the figures becoming simply a major feature of busy works rather than a focus on them. As time has progressed and the artist’s skills have been honed, the text has dropped away, leaving the strong, harshly-lit nudes alone as the centre of attention. This has also focussed the energy of the works, imbuing them with a significant charge which sets them apart from many other portraits.

Robertson’s art is linked firmly with some of the modern masters from whom she acknowledges a debt of inspiration. The raw emotion of many of the figures is reminiscent of the anguished portraiture of Egon Schiele and Francis Bacon, artists that Robertson freely admits are favourites. The focus on the forms of the body reflect the artist’s interest in Klimt, and the swirls and contours of the deep backgrounds at times convey the same psychological turmoil as those of Munch. There are strands and themes in the work which lie far deeper than this, however. The compositional style brings to mind Renaissance fresco work, and a thread can be drawn from these early images to Robertson’s compositions and poses.”

 

Iain Henderson
Welcome to my Nightmare

20th March - 25th April 2010

Opening & Artist's Talk Saturday 20th March 1.30pm

Iain Henderson has run a successful jewellery manufacturing business since the early 1980s. His jewellery designs have been purchased by clients in New Zealand and overseas. His work has appeared on the covers of magazines and he has received a number of awards nationally and internationally. In Welcome to my nightmare Henderson uses his jewellery making skills to create larger sculptural works made in sterling silver, gold and set with precious and semi precious gems. These works allow the artist to tell a more complete and personal story which expresses conflict within himself and the world he sees around him through the merging of his love of machines and organic forms. Henderson constructs works which appear alive, his statements are his own, he questions issues surrounding war, religion and the resultant tragic outcomes we are now used to seeing on a daily basis. To view more of Henderson’s work visit www.hendersonjewellery.com

 

Zonta Youth Art Awards 2010

19th March - 11th April 2010

The Zonta Youth Art Award promotes excellence in youth art in Mid and South Canterbury. The award is open to all 16-19 year olds normally resident in Mid or South Canterbury. Each entrant may submit up to two works in any medium. All entries should be delivered to the Ashburton Art Gallery, Baring Square East, Ashburton accompanied by a copy of the completed and signed entry form. Entry forms are available from the Ashburton Art Gallery. (Image: Hamish Coleman).

 

DRAW YOUR OWN WORD WITCH COMPETITION

Entries due 2nd march 2010

Terms: Margaret Mahy is the Word Witch — come and see the exhibition at the Ashburton Art Gallery for inspiration! Invent and draw your own Word Witch. Eight winners will be selected by illustrator David Elliot who will have their works displayed at the Gallery and win a copy of The Word Witch book. Young people aged between 5 and 13 are eligible to enter. All drawings should have your name, address, phone number and age on the reverse in pencil. All drawings should be completed on A3 paper or card. Any medium may be used to complete your drawing. All drawings should be submitted to the Gallery’s reception no later than Monday 2nd March 2010. Happy drawing! (With many thanks to Harper Collins).

 
 
 
     

November 09 - February 2010

December 17, 2009 by kmitchell

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november 09 - february 2010

To view exhibition archives click HERE


NZTRIO

Sunday 15th November 2009 4.30pm

Tickets $20, Friends of the Gallery $18 Available from Ashburton Art Gallery

Innovative repertoire, dynamic interpretations of both traditional and contemporary classical music, and sheer musical chops set this threesome apart.

Violinist Justine Cormack, cellist Ashley Brown and pianist Sarah Watkins first joined forces in 2002 and were Ensemble in residence at The University of Auckland from 2004-2009. During this time they have continued to impress music lovers throughout New Zealand, Brazil, the US and UK, China, Korea and Indonesia.

The trio actively commissions works by leading New Zealand composers, and collaborates with musicians of diverse musical styles. In the past 12 months their commitment to commissioning and performing new music has expanded to include emerging and established composers from China, and their 2009 concert season will feature works by Chen Yi, Musheng Chen and Mike Yuen.

The Making of The Word Witch
The poetic & illustrative magic of Margaret Mahy & David Elliot

An Ashburton Art Gallery Touring Exhibition Curated by Kathryn Mitchell
5th December 09 - 14th March 2010 Opening, Artists' Talk, Book Signings Saturday 5th December 1.30pm

When publisher Harper Collins agreed with me in 2007, the year after Margaret Mahy won the prestigious Hans Christian Andersen Medal, that there should be a book bringing together her many achievements as a writer of verse, there was no question that first, it should be lavishly illustrated and second, that Dunedin’s David Elliot was absolutely the right artist for the task. We were delighted when David, normally booked up by both New Zealand and international publishers for years ahead, accepted the challenge. The completed book, published in October 2009, is testament to our faith in his talent and professional skill but especially his imagination, perfectly complementing Margaret’s in its lightness of touch, originality, whimsicality, poignancy and humour. Each of the book’s sixty-six poems is illustrated, sometimes by a single telling image, other times by the storyboard approach matching the narrative of the poem. As with Margaret’s verse, the range of styles and emotions is impressive, from tender and teasing, to quirky and sometimes, quite dark.

An additional challenge was provided by the fact that many of Margaret’s verse texts, particularly the longer ones like Dashing Dog, Down the Back of the Chair and Bubble Trouble were already familiar to Mahy fans as classic children’s picture books. How would the artist find his own, different visual language for these familiar verses? How do you approach the text of award-winning picture books like A Summery Saturday Morning or 17 Kings and 42 Elephants and come up with something completely new and fresh?

This exhibition is a remarkably honest, ‘warts and all’ look at David’s path to the finished book, complete with its trials, tribulations, false starts and wrong turnings. Above all it is intended as a window into the magical world of imagination, a celebration of the creativity that, along with a good deal of hard work, lies behind a handsome book that will undoubtedly become a children’s classic. In this spirit Margaret has allowed the display of some of her earliest writings, in which the acclaimed Mahy magic is already clearly evident. The warmest thanks are due to her for this generous support. This exhibition will not only delight visitors, child and adult alike, but equally, encourage all of us to explore our own potential in images or words - or both.

Tessa Duder, Auckland, September 2009

 

David Elliot

The Ashburton Art Gallery supports the promotion of children’s literature in New Zealand as an integral part of educating and inspiring our youth. The core of the Ashburton Art Gallery’s collection is the work of award winning children’s book author and illustrator David Elliot. David Elliot was born and raised in Ashburton before moving to Christchurch to study a Diploma in Visual Arts at the University of Canterbury. After he graduated, David worked as a designer for a couple of years before travelling to Antarctica, through Asia and Europe, and onto Scotland where he became gatekeeper at Edinburgh Zoo. It was during this time that David became increasingly interested in writing and illustrating books for children.

David has provided illustrations for numerous New Zealand children's books, including Janet Frame's only book for children, Mona Minim and the Smell of the Sun. He has also written and illustrated five picture books of his own. David’s work is increasingly in demand overseas and he has illustrated books by UK author, Brian Jacques (Redwall series) and US author TA Barron (Great Tree of Avalon series). David currently teaches drawing part-time, as part of a visual arts course in Dunedin. The rest of his week is spent on his own work, in his Port Chalmers studio.

Margaret Mahy

Margaret Mahy is a former Children's Librarian at Christchurch City Libraries and is one of the world's best and most famous children's authors. Margaret Mahy was born in Whakatane in 1936, and wrote her first story at the age of seven. After graduating from Auckland University College and Canterbury University College, in 1955, with a BA, Margaret Mahy then attended the New Zealand Library School in Wellington, received her Librarian's diploma, and then went to work for the Petone Public Library. In 1967 she worked for the School Library Service in Christchurch. During this time she had stories published in the New Zealand School Journal. Margaret Mahy's first book to be published was A Lion in the Meadow in 1969.

In 1976 Margaret Mahy was appointed Children's Librarian at Canterbury Public Library. In 1980 she became a fulltime writer and has gone on to win numerous awards for her books including The Carnegie Medal, the Hans Christian Andersen Award and the Prime Minister’s Literacy Award.

“I am seventy three years old, and I wrote my first story when I was seven, so I have been writing for a long time. Every story begins with some sort of an idea — perhaps you have an idea buzzing around in your head already. Good! Ideas are the beginning of every story in the world. A lot of people don’t realize this, but there are lots of happenings in the world around you that you can turn into good stories. Little things! Everyday things!”

Margaret Mahy

 

Need Christmas Gifts?.....
The Word Witch: The Magical Verse of Margaret Mahy

$44.95

Finally, Margaret Mahy’s much-loved poems and stories in rhyme have been collected together by her biographer, Tessa Duder, for the first time ever in the wonderful new book, "The Word Witch: The Magical Verse of Margaret Mahy". With each of the 66 pieces accompanied by poignant illustrations by one of New Zealand’s best, David Elliot, and packaged as a beautiful hardcover addition, The Word Witch is set to delight generations of readers who have grown up with Mahy and enchant newcomers to her work for many years to come. Included in The Word Witch are such classics as "Bubble Trouble", "Down the Back of the Chair", and "Dashing Dog", as well as other gems from Mahy’s School Journal days and her own childhood, and some previously unpublished works.

Champions: New Zealand Winners
Jessie Casson

12th December 2009 - 7th February 2010

In Champions Jessie Casson celebrates many of New Zealand’s winners and local heroes with marvellous photographs. From an award-winning jam-maker to a rodeo cowboy and a ‘universe’-straddling drag queen, more than 40 individuals from the length and breadth of the country are brought together in a loving tribute to the unsung New Zealand achiever. Although rarely publicised outside of their home towns, each winner is testament to the passion and determination of the people of New Zealand.

The portraits are the fruit of Jessie Casson’s desire to capture the dedication, self-belief and good old kiwi ‘can-do’ attitude that make New Zealanders who they are.

“When I look at the portraits I feel a warm kinship with every one of them. And from doing the interviews I discovered that everybody has a story, it just needs to be searched for. I have a greater understanding of why people pour so much time and energy into something when the gain is not about money or wealth. I have realised it is about dedication and passion. It is about belief in oneself and a drive to do better and better that becomes integral to who you are as a person. In a world where consumerism and monetary success have a huge role, I now know that there is a lot to be learnt from the individual champion. I hope that my portraits and text do justice to the subjects”. Jessie Casson

 
 
 
     

Programme July - November 2009

July 28, 2009 by kmitchell

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july - november 09

To view exhibition archives click HERE


Art At Work
Mark Lander

11th July - 16th August 2009
Opening & Artist's Talk Saturday 11th July 1.30pm

Mark Lander is a paper maker painter and ceramicist working with materials from his immediate environment in North Canterbury. Art at Work is comprised of large floor to ceiling paintings and smaller wood cut prints on Lander’s stunning signature handmade paper. The concept of Art at Work is that on each print there is a ‘1’ and an ‘S’ embedded into the image somewhere symbolizing the ownership of 1 share. Each share (sale of work) contributes to a special project which supplies paper making machines to worthy recipients. Through this exhibition Mark aims to raise funds towards a large paper making machine for a deaf group in Tanzania. They already have a paper making machine that makes pulp from elephant dung and maize but are looking to expand their production! Supporting this project by purchasing a Mark Lander print will enhance the way of life for others.

Lecture Series
John Badcock

18th July - 16th August 2009
Artists Talk Saturday 25th July 1.30pm

Born in 1952 in Queenstown, a self taught artist for the last three and a half decades, John is still in the process of discovery - searching through portraiture to chronicle moments of behavior and the processes of life.

John’s professional career stretches back three decades with its roots firmly planted in a childhood spent watching his father, renowned landscape artist Douglas Badcock, on numerous painting expeditions in and around Queenstown. Based in Geraldine for the last 29 years in a house he built himself on a hilltop to capture views, on a clear day, of Mt Peel, Christchurch and Banks Peninsula, John has carved out a niche as one of New Zealand’s most uncompromising, yet popular artists. He hasn’t managed that feat, he says, by following trends.1

1. Symmetry - Subaru House Magazine March 2008 Pg 34

 

Ey! Iran
Contemporary Iranian Photography

22nd August - 4th October 2009 Opening Saturday 22nd August 1.30pm

Toured by Exhibition Services Ltd & Gold Coast City Art Gallery

For many in Australia and New Zealand, our understanding of contemporary Iran is immediately connected to images of conflict and tension. The perception that it is a culture closed to the west and culturally isolated is however dramatically changing, and artists and filmmakers have been at the cutting edge of this shift.

ey! iran will be the first exhibition of its kind to present recent contemporary photography from Iran in a major exhibition in New Zealand. The exhibition presents the work of 17 artists working in photo media based both in Iran or as expatriates who have left the country and continue to make work that is informed by their Persian heritage. Artists Hossein Valamanesh, who lives in Adelaide, Australia and Sadegh Tirafkan who now lives in Toronto, Canada are just two examples of acclaimed artists who deal with major issues of identity, gender, urban life, popular culture and social restrictions within and outside Iran.

Through their subtle yet powerful work, with its richly layered visual languages, it is possible to see past the stereotypical images and into the lives and experiences of ordinary people – their street lives as well as their private lives – contemporary identities intimately tied to an ancient culture and its traditions. The art of photography has developed in parallel with the highly regarded art of film making in Iran. In the same vein that contemporary Iranian filmmakers portray their vision of Iran with a compelling quiet reserve, the work of artists selected for this exhibition communicates to international audiences with the same subtle boldness. The photographic medium arrived in Iran in the early 1840s as diplomats from Russia, England and Germany brought the technology to the reigning Shah - who had a strong personal fascination with the medium. Historical collections of plates and photographs in Iran are today a valuable source of documentation of the lives of Persians in the mid to late 1800s. Throughout the early 1900s Iranian photography evolved much in the same way that European and American artists and collectors approached the medium.

The exhibition has been curated by Iranian born Australian artist Mandana Mapar. Bridging social and geographical boundaries in the development of this exhibition she travelled to Tehran to select work and seeks to link artists in Iran with audiences in Australia and New Zealand in a spirit of cultural exchange.

 

A Season of Iranian Cinema
Presented by the Embassy of The Islamic Republic of Iran and the Ashburton Art Gallery - Free Admission

26th August - 30th September 2009
Opening Wednesday 26th August 5.30pm

In a special partnership between the Embassy of The Islamic Republic of Iran and the Ashburton Art Gallery, we are pleased to present a selection of outstanding films produced in Iran in recent years. We are screening one Iranian feature film weekly on Wednesdays at 4pm and repeated at 6pm until 30th September. Free admission. (With thanks to the Dunedin Public Art Gallery for their assistance).

Opening Wednesday 26th August 5.30pm Refreshments will be provided for the opening, a representative from the Iranian Embassy in Wellington, will officially open this mid-winter Season of Iranian Cinema: at the Ashburton Art Gallery prior to the screening of Iran, Seven Faces Of A Civilization at 6.30pm.

All films are in Farsi with English subtitles.

A full programme will be available on this website in the coming week.

Wednesday 26th August 6.30pm: Iran, Seven Faces Of A Civilization.

Wednesday 2nd September 4pm & 6pm: Marriage, Iranian Style.

Wednesday 9th September 4pm & 6pm: Transit Cafe.

Wednesday 16th September 4pm & 6pm: So Far, So Close.

Wednesday 23rd September 4pm & 6pm: Children of Heaven.

Wednesday 30th September 4pm & 6pm: The Wind Carpet.

 

Arts on Tour
Skin Tight

Saturday 29th August 4.30pm 2009 Tickets $20 or $18 for Friends of the Gallery

Charged with intensity and passion, Skin Tight is a story that will stay with you for a long time to come.Tom and Elizabeth share the tale of their lives together through triumph and loss, joy and pain. In the rustic setting of rural South Canterbury post war, they delight in the trivial things and mourn the greatest losses of all. The audience is gripped from the outset by a relationship that is at once tempestuous, touching, amusing and utterly engaging.Inspired by Dennis Glover’s classic poem, The Magpies, Gary Henderson’s stirring opus of yearning and memory won a Fringe First Award at Edinburgh. This masterpiece of New Zealand theatre is humorous, poignant and moving, an experience rich with sensuality and emotion.

Share in a timelessly passionate and powerful love story. Of the recent Court theatre season in Christchurch the reviewer said:

“The actors inhabit their roles as if they knew no other life. Sia Trokenheim is lithe and spontaneous as Elizabeth. Her total conviction is matched by a beautifully judged performance from Matt Hudson as Tom. Both have the ability and control to refine their roles with telling detail.” Lindsay Clark, theatreview.org.nz

 

MUKA Youth Print Exhibition Young People Buy Art - No Adults Allowed

Wednesday 16th September 2009 12 noon - 6pm

A display of original contemporary art exclusively for young people aged 5-18. This event gives young people the opportunity to purchase original lithographs for a fraction of the normal price. It is the intention of the artists that the works will become the exclusive property of the purchaser.

A number of well-known artists from all over the world have been invited to produce small original lithographs. The works reflect the normal concerns of the artists; there is no patronising or “talking down” to children. Visitors to the show can buy a maximum of three lithographs for themselves, not for adults. All works are sold at a uniform low price to enable accessibility to their intended audience — children.

 

Ashburton District Schools Exhibition

10th October - 25th October 2009

An annual favourite in the Gallery’s programme, this exhibition displays the creative work of the Ashburton’s youth. Painting, drawing, photography, pottery, sculpture and an array of mixed media work all feature in this exciting and colourful exhibition.

 

Aoraki Polytechnic Art Studies Exhibition

7th - 29th November 2009

Award Ceremony Saturday 7th November 1.30pm

“Aoraki Polytechnic Art Studies Exhibition 2009 showcases the best of two years work from the students in the part-time Art Studies programme at the Aoraki Polytechnic in Ashburton. This is the first time Level 4, Certificate in Art has been run and I am sure you will be interested in seeing the wonderful development of these year 3 and year 4 students. Also showing are works from the first and second year Level 3 Introductory Art Studies. This innovative programme encourages the students to express their own individual style while developing a thorough understanding of the principles and techniques of quality art.” Heather Sarin

 

Champions: New Zealand Winners
Jessie Casson

5th December 2009 - 7th February 2010 Opening Saturday 5th December 1.30pm

In Champions Jessie Casson celebrates many of New Zealand’s winners and local heroes with marvellous photographs. From an award-winning jam-maker to a rodeo cowboy and a ‘universe’-straddling drag queen, more than 40 individuals from the length and breadth of the country are brought together in a loving tribute to the unsung New Zealand achiever. Although rarely publicised outside of their home towns, each winner is testament to the passion and determination of the people of New Zealand.

The portraits are the fruit of Jessie Casson’s desire to capture the dedication, self-belief and good old kiwi ‘can-do’ attitude that make New Zealanders who they are.

“When I look at the portraits I feel a warm kinship with every one of them. And from doing the interviews I discovered that everybody has a story, it just needs to be searched for. I have a greater understanding of why people pour so much time and energy into something when the gain is not about money or wealth. I have realised it is about dedication and passion. It is about belief in oneself and a drive to do better and better that becomes integral to who you are as a person. In a world where consumerism and monetary success have a huge role, I now know that there is a lot to be learnt from the individual champion. I hope that my portraits and text do justice to the subjects”. Jessie Casson

 
 
 
     

Programme February-April 2009

January 19, 2009 by kmitchell

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February - April 09

To view exhibition archives click HERE


Fiona Pears

Sunday 1st February 4.30pm
Tickets $20 or $18 for Friends of the Gallery (available from reception)

New Zealand virtuoso violinist and composer Fiona Pears started performing as a soloist with orchestras at the age of 12. Now based in London, she has forged a career as an international soloist and recording artist. Fiona is also becoming well known as a composer. Her compositions are taken from her life’s experiences of travelling and meeting people as well as her love of many different musical styles. She performs a mix of Celtic, Gypsy, Latin and Classical music. 2008 has also seen Fiona going back into the studio to record her forth CD, “Fire and Light,” which features the City of Prague Philharmonic Orchestra as well as her phenomenal New Zealand band. This CD showcases Fiona’s most beautiful, energetic and captivating compositions to date alongside her own interpretations of well-known pieces such as Khachaturian's, “Sabre Dance.”

Tohu
Bronwyn Judge

6th February - 8th March 2009
Official welcome assemble at front door of building Saturday 7th February 1pm

Even in New Zealand, a supposed natural paradise and land of opportunity and equality there are people who do not have a voice. In a land where formerly birds existed in hundreds of thousands, many species are extinct or have been brought to the edge of extinction. Profligate use of power has meant rivers have been harnessed and damned to provide hydro- electricity at the expense of river ecology. Waitaha, one of the ancient tribes of Aotearoa, view the loss of their rich hunting and fishing grounds and bird life with sadness but are unable to stop this degradation. Their philosophy is peaceful and different from the more recent warrior tribes. They believe birds carry messages from their ancestors. Because they look upon the land as a parent, they didn’t engage with Europeans in the transfer of land by treaty, consequently they have been subsumed, and are not recognised as a separate and independent people. The film Tohu allows Waitaha elders to voice their concerns and depicts many of the endangered birds in Aotearoa as it journeys up the Waitaki River from the sea to the mountains. Tohu is a documentary about the ancient culture of the Waitaha people, their river and the endangered bird life of Aotearoa. Tohu travels the mountains and Valleys of the South Island encountering rare and remarkable birds, whio, kea and fantail among others. In Waitaha mythology the appearance of an extraordinary bird presaging an unexpected or momentous event and the Tohu is believed to be a sign or Tohu may be the spirit of an ancestor. Waitaha, in an effort to be recognised have turned to the Arts to help and Gillian Whitehead’s Waitaha Aria with lyrics by the late Tungia Baker eloquently announces the renaissance of these people largely unknown and ignored until now.

 

Love Me Tender
Local Collection Series: John Lobb presents Elvis Presley Memorabilia

14th February –15th March 2009 Opening & Collector’s Talk Saturday 14th February 1.30pm
Also featuring hotrods & Rock’n’Roll dancers from 12 noon

“My Elvis Presley collection has been a labour of love for over 50 years, but it was only after his death in 1977 that I dusted it all out from boxes and decided that I did indeed have quite a bit of “stuff”. It took a lot of organising but I finally managed to persuade my family to let me divide the farm garage in half to allow the “stuff” to be put into some sort of orderly display. My main interest in Elvis is his musical legacy, hence the collection centres around vinyl records, compact discs and the like. The Elvis collecting world has grown so much over the years and his music and memorabilia are selling more now than during his life time. I hope this display does some justice to the man and that visitors to the Ashburton Gallery will enjoy it.” John Lobb

 

Waka Huia
Areta Wilkinson

14th March - 12th April 2009
Opening & Artist's Talk Saturday 14th March 1.30pm

Waka Huia is a treasure trove of precious jewellery objects and narrative. The personal adornments and stories are anchored in extraordinary everyday life: ka taoka o te ao kohatu (treasures from the ancient world of the Maori) and the enchantments of a modern existence. Some stories told are by Wilkinson’s great great grandfather and respected rangatira Teone Taare Tikao, to South Canterbury historian Herries Beattie. Waka Huia is accompanied by selected works from Takapau will Travel (Turbulence: 3rd Auckland Triennial 2006) and Wahine Kino (City Gallery, Wellington 2007). Waka Huia is a collection of magic moments filled with love.

 

Zonta Youth Art Awards 2009

21st March –12th April 2009

The Zonta Youth Art Award promotes excellence in youth art in Mid and South Canterbury. The award is open to all 16-19 year olds normally resident in Mid or South Canterbury. The winner of the Premier Award receives $500, the runner up $250 and third place $150. Each entrant may submit two works in any medium. Entries should be delivered to the Ashburton Art Gallery, Baring Square East, Ashburton accompanied by a copy of the completed and signed entry form. Entry forms are available from the Gallery – get yours now.

 

Towards the Precipice

Propaganda Posters Collected by WB Sutch
Curated & developed by the National library of New Zealand Toured by Exhibition Services Ltd

18th April– 17th May 2009 Opening Saturday 18th April 1.30pm

The term propaganda derives from the name given to a 17th-century Committee of Cardinals of the Roman Catholic Church, Congregatio de Prpaganda de Fide, which was charged with directing ecclesiastical affairs in non-Catholic countries. The Oxford English Dictionary defines propaganda as the “systematic propagation of information or ideas to encourage or instill a particular attitude or response”. The use of posters as propaganda tools had come of age during the First World War. Their aim was essentially two-fold: in Britain, to encourage male recruitment—a famous and frequently adapted example being Lord Kitchener’s “Your country needs you” - and in all major participating countries to inspire home front support for the war. Posters were cheap to produce, easy to distribute, and could immediately respond to wartime events. They continued to be employed by governments of the 1930s and 1940s who believed in their effectiveness. Towards the Precipice presents Spanish, German, British and Soviet posters from the period 1935 to 1942. They represent the voice of the Republican opposition to the right-wing Nationalist forces of General Franco in the Spanish Civil War of 1936-39. The Nazi regime used posters to win ordinary Germans over to their world view by showing them, and the world the promised material advantages of belonging to Hitler’s Germany. The British posters cover the early years of the Second World War and build upon the generally accepted idea that the war was both just and necessary to defend traditional British values. The Soviet posters were designed following Operation Barbarossa, the German invasion of the Soviet Union in 1941. They were later adapted by the British to reinforce the resulting Anglo-Soviet alliance against Hitler. These posters present their views in a way that is both overtly manipulative and stunningly simple when compared to the methods and media that are used to influence public opinion today. Bill Sutch (WB Sutch) William Ball Sutch was born in England in 1907 and arrived in New Zealand with his family when eight months old. Both his parents were staunch Methodists, independently minded and widely read in the social fields. Sutch trained as a teacher and graduated MA and B.Com from Victoria University. A fellowship took him to Columbia University in 1932 where he undertook a Ph.D on the topic of ‘Price fixing in New Zealand’. He returned to New Zealand after travelling widely in North America and Europe, to a country in the depths of the depression. This experience was fundamental to his subsequent thinking on economics and social policy. Over the next 40 years he held a wide variety of influential government and diplomatic positions, including groundbreaking work with Unicef and other UN agencies. He published widely and maintained an active role in the cultural life of New Zealand, culminating in his appointment to the Chair of the Queen Elizabeth II Arts Council in 1973. Bill Sutch is also remembered for being tried and acquitted under the Official Secrets Act.

 

Jub Jub Club

Lyndal Lane is the latest addition to the Ashburton Art Gallery team. Lyndal’s role at the Gallery, much like any small regional Gallery requires flexibility, adaptability and an innovative approach. Lyndal fulfils the role of both Technician and Publicity Officer which is challenging to say the least. One of Lyndal’s core goals is to coordinate relevant activities/events which run in conjunction with the Gallery’s exhibition programme and which target varying sectors of the community.Lyndal’s latest initiative is the “Jub Jub Club” a free membership programme for young people. The Gallery plans to launch the programme on 1st March 2009 to coincide with National Children’s Day celebrations, at which time information about the programme will become available from the Gallery’s reception and website. As part of the programme the Gallery will be hosting activities every second Sunday afternoon from 2-4pm during term time and every Sunday afternoon in the school holidays. Membership will be free; however, some activities may incur a gold coin donation. The “Jub Jub Club” seeks to provide a series of art/culture based experiences for young people. This will include hands on activities such as painting, sculpture, photography and craft based activities as well as opportunities to engage with and respond to artists and exhibitions.The “Jub Jub Club” has taken its name from a work held in the Gallery’s Collection. “The Jub Jub Bird” is an illustration by David Elliot taken from a set of characters familiar to us all from the popular story “The Hunting of the Snark” by Lewis Carroll. The Gallery felt that this humble bird represents the Club well with its clear sense of fun, adventure and humour. We are grateful for the support of David Elliot who will be contributing to activities during the year and whose sense of fun and adventure has in many ways inspired the creation of this club for young Asburtonians.

 

How Can You Help the Ashburton Art Gallery

  • Volunteer:The Gallery needs volunteers to staff the Gallery on weekends. There is always a staff member present but this allows Gallery staff to undertake work free from monitoring the Gallery spaces. Training is available and this is a great way to stay in touch with the Gallery’s exciting programme of exhibitions/events. Please contact Alison Curwood for further information on (03) 308 1133 or email alison.curwood@ashburtonartgallery.org.nz.
  • Resource Consent for New Building: This application will soon be advertised in the media (probably in the Council’s Wednesday advertisement in the Guardian) and submissions will be called for from the public. Submissions in favour of the project can be submitted so this is where you play a part in the Gallery’s future.
  • LTCCP Long Term Council Community Plan: In April the Council releases its LTCCP (ten year plan and budget). Here again those in support of any of the projects outlined can write a submission. We would, therefore like to encourage all Friends of the Gallery to support us in this way. For any further information about this process please feel free to contact me. (Kathryn Mitchell on 03 308 1133 or email info@ashburtonartgallery.org.nz).
  • Become a Friend of the Gallery: Support us and receive regular information on our exciting activities and events. Membership forms are available from the Gallery or online at www.ashburtonartgallery.org.nz.

 
 
     
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